by Laura Purcell
This started out with two of my personal cardinal sins: a list of characters, something I always skip past because it's meaningless until they have context in the story, and present tense writing. Having said that, the first chapter was very effective that way and would have made a great prologue. Dickens used to write the occasional present tense chapter to put immediacy into a segment of a story, but it doesn't work to do a whole book in present tense.
It starts out with a woman running from something, riding in an old time coach and wearing a dress that gives the impression of a lady, when she is not. An accident leads to her helping an injured man, remonstrating with herself for drawing attention so that people will remember her.
This is where I'm glad I skipped the character list. Learning who this woman is and what she's running from gives me a reason to continue! She has had some form of medical training, which makes her stand out as a woman healer in an older era when such things were uncommon.
We get a flashback of her history that explains where the dress came from and that her mother was a midwife. This is told in past tense and I found myself very interested in her story. A lot is put into her psychological make-up and motivations to develop a clear picture of the character.
There's a strong element of Cornish Pixie lore (though it should be Piskies there) to add a creepy element. The story behind the delicate blue and white china comes out by the end and the significance becomes clear.
I have mixed feelings about the end, but the story as a whole did keep my attention and had just that hint of Horror to make it fit firmly in the Gothic category.